The Beatles 2009 remasters

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OK people! I was really expecting for these to get released since a long time ago, I grew up listening to the Beatles and I have almost all their albums in compact disc. The Beatles as opposed to other major British artists like Pink Floyd, David Bowie or The Rolling Stones, have not had a really digital remaster release of their career, it was a shame really, that all we had as standard editions were the first 1987 masters, the first and only release of their music on CD if we don’t count the Anthologies, Capitol Years Box, and the most recent Love. After Love was released with this very fresh sound everybody was expecting new remasters for the Fab Four albums. I myself had to buy the album Love via an Internet store we have in Venezuela and pay more than 5 times its price because Venezuelan music stores went insane before this and they were always crazy about pricing The Beatles music, the album Love was priced about 15 times its normal price (about $100). But the rants against overpricing in my country are material for another post.
beatles2This music is great I have really fond memories of listening to The Beatles throughout my life, great moments enjoying with my friends especially the tracks A Day in the Life form Sgt Pepper Lonely Hearts Club Band and Strawberry Fields Forever form Magical Mystery Tour. It’s funny that I even thought of a classifying system for people who listen to the Beatles, in a broad sense you have the people who likes the first part of their career from (Please Please Me to Help) and the people who likes the second part (from Help to Let it Be), they have two very differentiated stages, you know, when they started “experimenting” when I really think the music turned a lot more interesting, when I started listening to them I really liked the first stage of their career, but from some years ago I prefer the second stage by far. So my theory was like: the first stage is more likely to be liked by children and people in their 60s or more and the other part to people below 60s, of course, this is no proven truth, it’s just silly speculation. I also have my friends who don’t like The Beatles at all and prefer The Rolling Stones over them…

beatles_-_abbey_roadAbout this 2009 remasters themselves, I haven’t listened to everything there is yet as I wait to buy it all later this year as a boxset, but I can tell you that so far I heard, the music sounds louder, and maybe sounds a bit brighter. Maybe, the expectation and anticipation was too high that I was expecting something more impressive, but don’t get me wrong, I love the music and must probably will buy the full boxset of the remasters, I also have to compare the two editions with more equipment, I have heard just a couple of albums with my laptop with its own speakers (Altec Lansing) and the iphone default headphones using Winamp. I would like to share with you an experiment I made putting 3 tracks from both remasters in Soundforge (click to enlarge), we can see that the soundwaves are indeed different, but its only a question of volume that’s changed? Or there’s more to it. Please comment your experience with the 2009 remasters.

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On the problems of liveblogging events

I just finished reading my bulk of unread google reader items, well, I have to actually mark as read the subscriptions which always grow too large to handle, and I found that my colleague aubreymcfato has put on one of his reviews of the ECDL 2009, conference that we attended together, a small note from Joho the Blog by David Weinberger that describes really good the experience and the feel of being liveblogging about events we are in. This is really valid for my first post on ECDL and the upcoming ones on the conference or of the same nature, that is, notes taken while I’m hearing some presentation or something of the sorts. I’m sorry for any lack of accuracy. David Weinberger’s disclaimer is the following:

“NOTE: Live-blogging. Getting things wrong. Missing points. Omitting key information. Introducing artificial choppiness. Over-emphasizing small matters. Paraphrasing badly. Not running a spellpchecker. Mangling other people’s ideas and words. Posted without re-reading. You are warned, people.”

ECDL 2009

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Hello again!

I’m lucky to be right now in Corfu, Greece where I’m attending with my fellow DILL colleagues the 13th European Conference in Digital Libraries. More or less as part of the third semester of the DILL master and thanks to our Professore Vittore Casarosa we have been attending this wonderful, high profile conference in the field of Digital Libraries. As you may or may not have seen, I’m tweeting about the conference, but to complete my own coverage on it I decided to post some things in the blog. So, in this post I will present an outline of what was the first day of conference (09-28-09). Enjoy.

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Keynote: Digital Libraries as Phenotypes for Digital Societies

by Gary Marchionini

This 13th edition of the European Conference on Digital Libraries (ECDL) started with “a bang”, with a very interesting keynote by Gary Machionini, titled Digital Libraries as Phenotypes for Digital Societies. Marchionini started with the statement that Digital Libraries gives us a lens on what we are becoming in the digital age, he then defined some characteristics of the digital societies, such as the following ones:

They are determined by topic or interest of individuals or communities, rather than by the geography, because ICTs bridges people regardless of their location. Of course, digital societies are dependant on technologies and electronic infrastructure. They are driven by weak ties, this can be seen in social networks such as facebook where one “collects” contacts or friends that you don’t actually have to know personally, the acquaintance process is very different than in the “real world society”. Individuals in this digital society are also extremely diverse, if the location makes little difference, people interacting in a network come from different places and that makes them different, different culture, religion, behavior, etc. Digital societies grow fast, we can say they are viral, but at the same time they can lose members at the same speed, they are not so sustainable, as the fidelity of the members it’s different from person to person. These societies of course are based on our “real world society” and interact with traditional institutions.

Next, Professor Marchionini defined the Phenotype of Libraries:

  • They are social organisms.
  • Have foundational and policies that reflects their institutional genetics.
  • The influence of the environment affects their collections and services.
  • They reflect the social organizations that support them.

Digital Libraries are active workspaces, it’s not enough to set up collections multimedia streams, systems exhibit behavior, this means there’s a memory on them, they are dynamic and interactive, these interactions are kept as a general history (like a website history on an Internet browser), and users interactions should be considered part of a Digital Library collection, these interactions are made by their annotations, comments, news feeds, tags, crowd sourcing, and as a collection, these contributions must be managed.

Key challenges

  • Content and context: selection management.
  • Preservation: What’s worth preserving? What context to include? Who decides? Who pays? How much? Storage models: replication (copy) migration (change of format, impractical), emulation. Storage policies (authority, cost) Storage challenges: space vs price vs reliability.
  • The new Alexandria: distributed content and stakeholder, self organizing content, human-machine hybrid, new kinds of trust management.
  • Managing participation and services: a symbiotic human-machine relation
  • Content Genetics: born digital documents, hybrids from traditional libraries.

DL Collection models Born digital variants:

  • Curated by expertise (Perseus)
  • Curated by expertise opportunity (Open Video)
  • User contributed without curation (ibiblio)
  • User contributed with community curation (wikipedia, youtube)
  • Computed (citeseer, technorati, google?)

Picture 011judamasmas’ comment: this was a really amazing presentation, I liked it a lot. I also think is important to take into account that the users of the library could create valuable content and that this same content can be part of our actual collections. I think we have some lessons to learn and some features to import from the worlds of open access and social networks, because our way of building collections may not be very attractive by itself and funding is getting more an more difficult, just to cite two reasons.

After Professor Marchionini finished his keynote presentation, we went for a coffee break in this really nice and beautiful Hotel Corfu Palace. After the break it was decision time, because they were two sessions in parallel: one on interaction and the other one in knowledge organization, I decided to go to the interaction session. You can find information on the other one in the tweets of my colleague Andrea in twitter (aubreymcfato) or in his blog questoblognonesiste.

Session 2A: Interaction

Hear it: Enhancing Rapid Document Browsing with Sound Cues

by Parisa Eslambochilar, George Buchanan and Fernando Loizides

It is interesting that the presented started stressing the point that in Digital Libraries interfaces are silent, like in “real world libraries”, but has it to be like this?

Document readers have attempted to help users locate new or unknown information and there has been success with providing visual target cues.

Some of their findings:

Audio seems to permit faster movement and higher zoom levels, it could be improved by better timing the cues, allowing for delays.

Future works:

Evaluate anticipatory cue timing, reconsider performance with improved cue, compare against tactic cues.

judamasmas’ comment: We can think that this could be a good multidisciplinary work because it could involve librarians (digitals or no!), experts in sound media (recording, storing and playing), and even psychologists.

Creating Visualizations for Digital Document Indexing

by Jeniffer Pearson, George Buchanan and Harold Thimbleby

Goals:

Combine elements of digital and print indexing search, understand the properties of search in digital documents

They created a new interface, the digital index viewer: builds traditional index from digital document, with number of occurrences on which pages for different words.

Different presentations of the digital index viewer:

  • Color Tag Clouds: red indicate many occurrences (as it represent hot temperature) and blue indicate few occurrences of the term (as it represent cold temperature)
  • Tag clouds: the bigger the more occurrences
  • Graph: the bigger the more occurrences

User performance on speed of search: traditional index < color tag cloud < graph

judamasmas’ comment: They took the indexes, a very traditional idea that’s present from a long time ago in printed books, and applied them to digital documents, it is interesting that it is an application that generates an index on a digital document and takes some elements we see in web 2.0 like the tag clouds to add more depth to it and to make it more visual.

Document Word Clouds: Visualising Web Documents as Tag Clouds to Aid Users in Relevance Decisions

by Thomas Gottron

Term importance not visible for users, users scan documents on the web, if they are attractive, the user decides to read it or not. Transfer tag cloud idea to important words in documents.

Term importance is calculated by a formula which deals with term frequency, document frequency and corpus size.

Prototype system turn web documents in clouds to help relevance decisions and it’s independent of the query.

judamasmas’ comment: So, one problem with the information overload we have (it’s only getting worse and worse!) is that we struggle with the problem of what item to read first, or what to download. For example google ranks results in its own special way, I’m not saying it’s bad or wrong, it could be good for one occasion, but totally wrong for other ones. This work proposes a system that harvests important terms present in a digital document to help the reader view what is it about in a tag cloud fashion. Also an interesting use of Web 2.0 widgets for visual aid.

Picture 025Special Session on Services

Annotation Search: The FAST Way

by Nicola Ferro

Mix content of annotation with metadata, to add richness to improve search, including author of the annotation, language, types (image, text)

judamasmas’ comment: annotation has been a very antique technique that some readers and scholars have used to go back to the books or documents they have studied for a quick look at the parts they like and where they made some notes (funny thing is that my librarian side tells me not to annotate any book for preservation reasons), it is, indeed really good if we can have good annotation tools in digital documents, first because it doesn’t change the aspect actual document and also because we can have a workflow cycle of contributors or fellow researching studying the same documents that we are, creating a series of comments that we can retrieve by type, author, date and so on.

wikiSearch: From Access to Use

by Elaine Toms, Lori McCay-Peet and Tayze Mackenzie

Design an interface for search, to maximize visibility, minimize search time, not overload user’s working memory, provide structured dispaying, provide only relevant information, putting user’s preferred items on interface

Characteristics: Ease, speed, efficiency, navigation, task focus and organization.

Google-like interface was preferred because the new wikisearch was so new, google seemed more simple.

Limitations:

Was lab rat research, very restricted tabs and access to web in general, built tool eliminated labyrinths of pages selected, better integrate with browser and work task.

Dark City Micro Review

Originally published on judamasmas s-tumblrs

Dark City (Alex Proyas, 1998) must be one of the most underrated films of the 90’s, beign almost a failure at box office performance, it has earned with the passing of the years high acclamation from movie critics (strangely perhaps? like Roger Ebert) and audiences, becoming a cult classic. This movie presents you with a simulated reality story, it wasn’t a new way of storytelling at that time, but for further enjoyment of this movie you have to consider that it was released one year before The Matrix. In this fictional world a race of aliens called simply the Strangers have enslaved humanity without them to realize what’s happening. I said enslaved? it’s better to say that they are having a huge experiment with humans in order to find a solution and prevent their annihilation. The experiments consists in that they are changing the shape of the city every night, or maybe to say night is not so appropriate because there’s no sun (that’s why the movie it’s called dark city), so they change the shape of the city once in a while, replace the people’s memories and swap their location on the city. But the moving force of the movie, speaking in other movie’s language starts when an anomaly or an unexpected value affects the equation. John Murdock is the main character in the movie and he’s a human with the same psychokinetic powers as the Strangers, he’s lost his memories and has been framed with murder by the Strangers. So the movie it’s about him trying to make sense on what’s happening while escaping the firm grip of the Strangers. So, the rating, I give this movie a perfect score, it’s actually one of my favorite movies ever. The performances are excellent, Rufus Sewell makes a good main character but not amazing, but we have the strange scientific in Kiefer Sutherland, the police detective in William Hurt and OH MY GOD!! my love Jennifer Connelly is the wife of the protagonist and she sings! (actually only sings on the Director’s Cut), the Strangers look very evil and disturbing so they are great bad guys. On the effects side, special mention on the morphing sequences of the city. Music is very good and it always emphazises the menace of the Strangers and keeps you on your toes. The story, my favorite part, is simply amazing, it’s based on the always amazing argument, y’know? maybe nothing is real…

Bride of the Monster Micro Review

Published originally on judamasmas s-tumblrs

Bride of the Monster (Ed Wood, 1955) leaves you with the “what the heck I just watched” sensation. Widely regarded as the worst filmmaker of all time, and this movie, originally titled Bride of the Atom was his first horror movie. Having the actor Béla Lugosi in his last years wasn’t at all a recipe for a successful movie. But I’ve seen movies with him that are worse than this one. Béla is your stereotypical mad scientist who has the help of his minion Lobo, played by wrestler Tor Johnson, and has as goal the creation of supermen. But his plans are screwed after kidnapping a girl, event which is simply the downfall of B-movie villains. The performances are not so bad, but there’s one scene with a speech of Béla which is just wonderful acting. What is really bad in this movie is the integration of stock footage with proper footage of the movie, a known flaw in Ed Wood’s movies, and also the most fake and funny monster ever, the octopus, the actors had to fake they were attacked by it, and move its tentacles because that monster didn’t even move! I only recommend this movie to B-movies OR classic horror movies OR Béla Lugosi’s fans; if you don’t watch it, you’re only missing one wonderful Béla Lugosi monologue…

Mars Attacks Micro Review

Published originally on judamasmas s-tumblrs

Finished watching Mars Attacks (Tim Burton, 1996) after a lot of years, 10 out of ten, the final solution to annihiliate the aliens is as stupid as in Independence Day, but think about it, ID is “serious” american cinema and MA is clearly an homage to B-movies. Anyway if we are attacked by superior aliens, they wouldn’t run Windows to be affected by a computer virus. So I find the tactic of MA more plausible. Music is great, Danny Elfman, of course; the cast is awesome, you can’t go wrong with Jack Nicholson; the effects are a mix so the unity is not completely achieved but the aestetic approach is superb, so 50’s it could be black and white. Special mention to the American national anthem played by mariachis, just amazing!

Status Report

I have changed the design of the blog, I hope you like it. After the clifhanger on the Pirate Bay trial post I haven’t posted anything else, I owe you all the conclusion of that post. I have been working on the final project of this semester for the Master Course and it has taken a lot of time out of me, also I’m involved in a very exciting and interesting project I’m not yet authorized to tell you about it but you’ll know eventually. Finally, I have worked some time on my brand new Tumblr “judamasmas s-tumblrs”, the description of the site is as follows:

“As I stumble upon things on the Internet and on my life, I’m constructing this experiment on variety.
Here you will find pretty geeky things: great pics, media, technology, information science, digital society, videogames, literature, movies… If it’s cool for me, you will find it here…”

The idea is to have there my own micro posts (which I’m thinking to also copy here) and specially material not made by me, as this blog has always had my own intellectual production.

More on judamasmas’ Weblog on the following days…

Steve Jobs Documentary

I made this video for a presentation assignment about leadership on a Human Resource Management course. It is intended also as a homage to Steve Jobs, wishing him to get better and return to Apple to continue develop and presenting amazing products. The list of the footage used is at the end of the video.

On the Pirate Bay, its trial and The Industry (1)

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The verdict of the trial on the Pirate Bay is finally given, despite some opinions and the confidence of the accused party on winning the trial, partly based on current swedish laws regarding torrent files, and a certain believe that the American music and movie industries couldn’t force a decision. Have they did it? I’m not expressing my opinions here, I’ll be just commenting the facts and ideas discussed over the Internet. But first, a little background.

bittorrentThe BitTorrent Protocol

In simple language, its a Peer-to-peer (P2P) sharing protocol, for transferring files, one user has some files or contents and creates a .torrent file, this user and every user who has the full file is called a seed, the more seeds there are, the faster the transfer of files. Some sites on the Internet, like The Pirate Bay are called Torrent Trackers, they are like search engines used to find those .torrent files. The trackers don’t have the content itself on their servers, this is an important thing to take into account. Once a user finds a .torrent file and downloads it, has also to use a Bittorrent client, like Bittorrent, Azureus, BitComet, etc. This client take that file and -in a manner of speaking- “knows” who are the users who have that particular media or documents and start downloading. Because of the seed aspect and also because many torrents are divided into parts, this is a very fast, reliable and efficient transfer protocol, which could be used for any kind of digital content and purposes.

The Pirate Bay

The Pirate Bay is a Swedish website established in November 2003 by the Swedish anti-copyright organization -or an independent organization fighting for file sharing rights- Piratbyrån (The Piracy Bureau), in this website, users could search and download .torrent files, and it has operated independently since October 2004. It is stated that this site serves more than 25 million users over the world.

sealand-external-frontSome aspects of its history, development, images and public relations (specially with copyright holders and defendants) are now legendary and even mythical between Internet users and tech geeks, such as the attempt to buy the micronation Sealand to locate their servers without having to bother about legislations, but the Sealand government didn’t wanted to sell it specially to them. Also it is said that the Industry had hired hackers to attack the site and copy the user’s database.

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On 31 May 2006, the swedish police raided the Pirate Bay instalations and confiscated its servers, shutting the website off and they held for questioning some of the people responsible for the website. The Motion Picture Association of America (MPAA) was behind this incident, as they stated on a press release just after it. On 2 June 2006, the Pirate Bay was once again up, displaying a new logo, with their pirate ship shooting down the Hollywood sign.

The Trial

On 31 January 2008 Fredrik Neij, Gottfrid Svartholm, and Peter Sunde, who ran the site; and Carl Lundström, a Swedish businessman who through his businesses sold services to the site were charged with “promoting other people’s infringements of copyright laws” but Pirate Bay’s legal advisor, Mikael Viborg, had stated that because torrent files and trackers merely point to content, the site’s activities are legal under Swedish law. On 16 February 2009, the trial (or as some call it the Spectrial = Spectacle + Trial) against the Pirate Bay started, the charges were pushed by a consortium of intellectual rights holders led by the International Federation of the Phonographic Industry (IFPI). It was a surprise and an indicator that the Bay could win the case after the second day, where half of the charges were dropped. It is worth to mention the following aspects of the trial:

kingkongdoodle-tpbThe prosecutor was unable to prove the .torrent files brought as evidence were actually using The Pirate Bay’s tracker.

On the third day, defense attorney Per Samuelson presented an argument later dubbed the “King Kong defense”

The fourth day irregularities started: movie industry lawyer Monique Wadsted introduced new evidence without warning.

The fifth day, the prosecution insisted on attempting to introduce new evidence, defense lawyer Peter Althin equating the tactic to something out of the old Perry Mason TV show. “Suddenly, the door opens and in walks an entirely new witness.” The judge stopped the case to deliberate the matter and found in favor of the defense, instructing the prosecution to immediately hand over all material they planned to use.

The prosecution attempted to show the Pirate Bay as an immensely profitable business that made its money helping others violate copyright law. The defense attempted to show the Pirate Bay as nothing more than a search engine, no different from Google and thus subject to the same protections.

On days seven to nine, the court heard expert witnesses called by the prosecution and the defense. They cited contradicting academic research on the effects of file sharing on sales in the music and film industry.

The Verdict

Frederik Neij, Gottfrid Svartholm Warg, Carl Lundstrom and Peter Sunde were found guilty of breaking copyright law and were sentenced to a year in jail. They were also ordered to pay $4.5m (£3m) in damages. Record companies welcomed the verdict but the men are to appeal and Sunde said they would refuse to pay the fine.”

Taken from BBC Website http://news.bbc.co.uk/2/hi/technology/8003799.stm

mapkkaabbAfter the trial, Sveriges Radio P3 News organised an investigation that found on April 23 that the judge Tomas Norström had several engagements with organisations interested in intellectual property issues. Peter Danowsky, Monique Wadsted and Henrik Pontén from the prosecution side are also members of one of the organisations, the Swedish Copyright Association. Several legal experts have commented that the judge should not have taken the case because of the potential conflict of interest, and that there are grounds for a retrial. As of April 23, Peter Sunde’s lawyer Peter Althin has already put in a request for a retrial. Such requests would normally be handled by the Swedish Parliamentary Ombudsman, but as the case is under appeal for other reasons, it will be taken up in the Svea Court of Appeal.

Taken from The Local Website http://www.thelocal.se/19028/20090423/

Now a lot of websites, bloggers, supporters and detractors are debating these issues. There have been some manifestations in Sweeden and other parts of the world to support the Bay. On the next post I’ll give some of my comments about the industry, Internet, sharing, and what I think all this means to this moment we are living in and also to some other affected and beloved parties over the Internet.

To be continued… stay tuned to judamasmas’ Weblog

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Some notes on a Fictional Information Literacy Program (IL) for a University


Educative Model: it should be constructivist, of course, and I think one must think always about it as a bended learning IL program, because it comprises:

  • Physical activities in classrooms with IL instructors on the use of information resources.
  • Virtual tutorials or digital resources with self assessment tests which could indicate advance in learning from students

Target groups: the Whole University Community, because Information Literacy is all about inclusion, not exclusion, every person on a educative institution get benefits from a Information Literacy Program, and at the same time the organization is enriched with this Information Literate community.

  • Students:

– Contributions: they help us to improve the IL Program after testing it on the first groups, and every group of students after coursing it also help us on this because fill on the surveys or indirectly because of other measurement systems we use to evaluate and then improve the Program, this evaluation-improvement must be a continous process.
– Resistance: they could find it boring, as it is YET another lecture, AND too related with librarians, always the “stereotype problem”

  • Teachers:

– Contributions: good allies, help identify gaps, relate IL material to their course content.
– Resistance: digital and/or information illiteracy, they could not recognize the importance of information literacy, and think there’s not time for this sort of activity in their courses, they could even see this initiative as an intrusion to their courses. Also, if they accept, we risk them to ask us to oversimplify it during time, so at the end we will be where we started.

  • Other Staff:

– Contributions: management will provide resources, technical staff will provide technical support, and some low-management staff will feel like “finally included” in a course intended for their development, and their feedback could be motivating force.
– Resistance: technical support department could not be very supportive, other staff could be digital and/or information illiterate, or not recognize importance of information literacy.

  • Information Specialists and/or traditional librarians:

– Contributions: knowledge on traditional information literacy instruction, updating on the resources available on the library, helping to improve the IL Program.
– Resistance: they could feel threatened by possible changes, or be digital illiterates.

Measurement of fulfillment of goals: try to use everything at your disposal to achieve an objective evaluation of the IL Program, keep in mind that evaluation can lead you always towards improvement.

  • Surveys
  • Pre and post assessments
  • Assessment tests at the end of each module for the digital content
  • Teacher and student feedback
  • Interviews
  • Collect data about students performance before and after the implementation of the Program